{"id":2399,"date":"2019-10-31T21:48:39","date_gmt":"2019-10-31T21:48:39","guid":{"rendered":"http:\/\/krogvig.com\/?page_id=2399"},"modified":"2026-03-14T15:50:11","modified_gmt":"2026-03-14T15:50:11","slug":"hjem","status":"publish","type":"page","link":"https:\/\/krogvig.com\/","title":{"rendered":"Hjem"},"content":{"rendered":"
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Finn Krogvig<\/span><\/p>\n

– film & TV- klipper<\/span><\/p>\n<\/div>\n<\/div>\n

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Finn Krogvig<\/span><\/h2>\n<\/div>\n<\/div>\n
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-En film&TV-klipper som tenker i regiss\u00f8rens baner.<\/span><\/p>\n<\/div>\n<\/div>\n

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Jeg har kjent p\u00e5 kroppen hvor vanskelig det kan v\u00e6re \u00e5 levere b\u00e5de som skuespiller og regiss\u00f8r. Den beste tiden i klipperommet er n\u00e5r klipper og regiss\u00f8r kan forme karakterenes indre liv og filmfortellingens vesen \u2013 utforske mulighetene og utfordre konvensjonene n\u00e5r det trengs.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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Faglig st\u00e5sted<\/span><\/h2>\n<\/div>\n<\/div>\n
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En grunnmur for kreative valg.<\/span><\/p>\n<\/div>\n<\/div>\n

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Jeg er en praktiker som har f\u00e5tt min faglige grunnmur fra spillefilm- og kortfilmmilj\u00f8et. Erfaringer fra flere ulike fag i filmskapingen har gitt meg en god bakgrunn for \u00e5 diskutere filmfortellermessige l\u00f8sninger for klippen. Jeg har opplevd skuespillerens utfordringer foran kameraet og erfart hvor vrient det kan v\u00e6re \u00e5 gi god regi. I de fleste tilfeller er jeg tilhenger av klassisk dramaturgi innenfor fortellerkunsten. Men fortellerkunsten er alltid under utvikling og lykkes man med \u00e5 tenke “utenfor boksen” er det det mest spennende og tilfredstillende. <\/span><\/h4>\n

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De som leser min CV vil oppdage at jeg har deltatt i flere kurs i \u201cMethod Acting\u201d. Og hva er det?  \u201cMetoden\u201d er en m\u00e5te \u00e5 tiln\u00e6rme seg arbeidet med regi og skuespill. Det er en arbeidsmetode som skal gj\u00f8re det \u201clettere\u201d \u00e5 finne fram til et ekte uttrykk som skuespiller. Det arbeides bl. a. med \u00e5 bevisstgj\u00f8re seg sine egne sanseinntrykk og livserfaringer og \u00e5 hente fram fragmenter av disse for \u00e5 gjennskape ekte f\u00f8lelser, og legge grunn for ekte reaksjoner i skuespillerarbeidet. I disse kursene var vi alle vekselvis regiss\u00f8rer og skuespillere som viste fram scener vi arbeidet med for hverandre. Det ble sjelsettende erfaringer med Marketa Kimbrell fra New York University som kursleder. Hun var en av de beste kjennerne av metoden og gikk selv p\u00e5 Actors Studio i New York under grunnleggeren Lee Strasbergs falke\u00f8yne. Hun var p\u00e5 Actors Studio samtidig med f.eks. Marilyn Monroe og Marlon Brando.  Metoden ga meg et godt verkt\u00f8y i arbeidet med \u00e5 finne essensen i de enkelte scenene, vendepunkter og scenenes funksjon i helheten. Dette er grunnleggende dramaturgisk kunnskap, men erfaringene med \u201cmethod acting\u201d gj\u00f8r jeg f\u00f8ler jeg forst\u00e5r mine \u201dlagkamerater\u201d regiss\u00f8ren og skuespilleren ogs\u00e5 med hjerte og sjel. <\/span><\/h4>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n
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Finn Krogvig – film & TV- klipper {{editor_navigation name=”meny”}} Finn Krogvig -En film&TV-klipper som tenker i regiss\u00f8rens baner. Jeg har kjent p\u00e5 kroppen hvor vanskelig det kan v\u00e6re \u00e5 levere b\u00e5de som skuespiller og regiss\u00f8r. Den beste tiden i klipperommet er n\u00e5r klipper og regiss\u00f8r kan forme karakterenes indre liv og filmfortellingens vesen \u2013 utforske […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"brizy-blank-template.php","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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